Choreographer Sir Matthew Bourne backs staying in EU after Palace honour

&Tab;&Tab;<div class&equals;"wpcnt">&NewLine;&Tab;&Tab;&Tab;<div class&equals;"wpa">&NewLine;&Tab;&Tab;&Tab;&Tab;<span class&equals;"wpa-about">Advertisements<&sol;span>&NewLine;&Tab;&Tab;&Tab;&Tab;<div class&equals;"u top&lowbar;amp">&NewLine;&Tab;&Tab;&Tab;&Tab;&Tab;&Tab;&Tab;<amp-ad width&equals;"300" height&equals;"265"&NewLine;&Tab;&Tab; type&equals;"pubmine"&NewLine;&Tab;&Tab; data-siteid&equals;"111265417"&NewLine;&Tab;&Tab; data-section&equals;"1">&NewLine;&Tab;&Tab;<&sol;amp-ad>&NewLine;&Tab;&Tab;&Tab;&Tab;<&sol;div>&NewLine;&Tab;&Tab;&Tab;<&sol;div>&NewLine;&Tab;&Tab;<&sol;div><p>Choreographer Sir Matthew Bourne threw his weight behind Britain remaining in the EU as he received his knighthood from the Prince of Wales during a ceremony at Buckingham Palace&period;<&sol;p>&NewLine;<p>The world-renowned dancer&comma; who revolutionised the dance world with his all-male production of Swan Lake in 1995&comma; said he was &OpenCurlyDoubleQuote;thrilled” at the honour and was proud that his profession had been recognised&period;<&sol;p>&NewLine;<p>The 56-year-old&comma; whose balletic touch has enlivened everything from the musicals My Fair Lady and Oliver&excl; to Shakespeare’s The Tempest and As You Like It – as well as a routine by comedians Dawn French and Jennifer Saunders – received his award for services to dance&period;<&sol;p>&NewLine;<p>Sir Matthew is also among almost 280 actors&comma; artists and writers who have put their name to a letter calling for Britain to stay in the EU&period;<&sol;p>&NewLine;<p>Published in Friday’s Telegraph&comma; it says&colon; &OpenCurlyDoubleQuote;Britain is not just stronger in the EU&comma; it is more imaginative and creative&period; Our global creative success would be severely weakened by walking away&&num;8230&semi;&&num;8221&semi;<&sol;p>&NewLine;<p>&OpenCurlyDoubleQuote;Leaving the EU would be a leap into the unknown for millions of people in the UK who work in the creative industries&comma; and for the millions more at home and abroad who benefit from the vibrancy of Britain’s cultural sector&period;”<&sol;p>&NewLine;<p>Speaking after receiving his knighthood&comma; Sir Matthew said&colon; &OpenCurlyDoubleQuote;It is all a bit of guesswork really&comma; what may or may not happen&period;<&sol;p>&NewLine;<p>&OpenCurlyDoubleQuote;I’m certainly for staying in because I think I’m a natural collaborator as an artist&period; You feel you gain more from what you can get from other people and working together&period;”<&sol;p>&NewLine;<p>Others who signed the letter include actress Keira Knightley&comma; director Richard Curtis and sculptor Sir Anish Kapoor&period;<&sol;p>&NewLine;<p>The only Briton to have won the Tony Award for both best choreographer and best director of a musical – as well as having five Oliviers to his name – Sir Matthew did not discover ballet or modern dance until he was in his early 20s&period;<&sol;p>&NewLine;<p>But after a career that has stretched for more than 30 years he said he hoped he was not yet out of new ideas&period;<&sol;p>&NewLine;<p>He said&colon; &OpenCurlyDoubleQuote;People think you are going to go on forever and you are full of ideas and they are never going to stop&comma; and you do worry about that&period;<&sol;p>&NewLine;<p>&OpenCurlyDoubleQuote;I get a lot of inspiration from new dancers that I work with&comma; the young talent&period;<&sol;p>&NewLine;<p>&OpenCurlyDoubleQuote;I love working with young talent and that probably inspires more than anything else now – to want them to do well and to want to find things that are going to show them off well in new ways&period;”<&sol;p>&NewLine;<p>His latest project is a ballet version of the 1948 film The Red Shoes&comma; based on the classic Hans Christian Andersen fairytale of the same name&comma; opening in November&period;<&sol;p>&NewLine;<p>Sir Matthew said&colon; &OpenCurlyDoubleQuote;It’s very exciting to do something new&period; I always think this is going to be the last one I do&period;<&sol;p>&NewLine;<p>&OpenCurlyDoubleQuote;It won’t be&comma; I’m sure&comma; but I always feel it’s going to be while I’m doing it – I think&comma; &OpenCurlyQuote;I haven’t got any more’&period;”<&sol;p>&NewLine;&Tab;&Tab;&Tab;<div style&equals;"padding-bottom&colon;15px&semi;" class&equals;"wordads-tag" data-slot-type&equals;"belowpost">&NewLine;&Tab;&Tab;&Tab;&Tab;<div id&equals;"atatags-dynamic-belowpost-68ecc6b04bb2e">&NewLine;&Tab;&Tab;&Tab;&Tab;&Tab;<script type&equals;"text&sol;javascript">&NewLine;&Tab;&Tab;&Tab;&Tab;&Tab;&Tab;window&period;getAdSnippetCallback &equals; 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1 COMMENT

  1. Dodgy son of a… He waited to collect before raising 2 fingers to the palace. That medal must be taken back.

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